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—  The New York Times


“A particularly fine example…of outdoor theater.” 

The days of passively watching a theatrical experience unfold in a darkened theater are long gone. In our present world, as audiences, we demand a different way of engaging with our entertainment. Carlo has heard this unspoken demand and is innovating the performing arts by taking "acting" and the "actor" and reconfiguring it into experiences that straddle the line between performance and real life. He has been creating immersive and interactive work since before people knew what to call it, and now he's making film and television, bringing his aesthetic to a much larger audience.


Carlo continually searches for what’s new, yet he doesn't forget the principles governing performance. Good storytelling, daring performances, playing high stakes, and seeing the good, the bad, and the ugly in all humanity. This combination of fascinating creative content, told in new ways, makes Carlo’s work memorable.


From Fortune 500 companies to the average Joe on the street, international groups to renowned museums & educational institutions, New York Cities' most respected theater critics, and international producing partners, Carlo makes work that works! Hundreds of thousands have experienced his work through LIT in the real world with simultaneous productions in New York City, Madrid, Spain, Austin, Texas, and Los Angeles, California. 

Since pivoting during the Covid-19 endemic and shifting the company from a live event immersive experience company to entirely virtual, LIT has blown up, averaging an unheard-of 300 - 700 performances a year, playing worldwide!

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